lutz0660 asked:
worth a try
//eh pointless… but might as well for fun.
If i don’t get a boyfriend, i swear to god…
Hopefully
Reblog and you’ll find money soon!
Yes.
Also weird I reblobbed the other money one last night and a freelance check I invoiced for a month ago came in.
reblobbed
seriously have nothing to lose
Did it once might as well let it stack. At least I’m not buying loto tickets
You guys, I reblogged this 2 days ago out of desperation. Today I was looking through my old wallet for coins to go to the vending machine because that’s all I can fucking afford. I haven’t touched this thing since July/ August. When I found a disappointing 15 cents in the coin pocket I went to the billfold to see if any coins were in there. That’s when I saw them. 5 crisp bills amounting to $22. I literally screamed and danced around my room out of joy before remembering that I’d reblogged this post.
Tl;dr - This post is fucking magical and actually worked for me.
I never reblog these, let’s give it a shot.
BIG MONEY, BIG MONEYI reblogged this last week and withing an hour I got a client after a month of silence! Literally gave me money to eat for the rest of the month.
Crazy enough but my mom randomly gave me 200 dollars after I reblogged one of these the other day…
I have a theory that these posts actually gather energy from the wishes of people who reblog them and that’s why they work. Plus, yanno, they get passed around by witches…a lot. :)
Ok… Let’s do it!!!!
Does this magic do?
lutz0660 asked:
plotlinehotline answered:
I got stuck in a rut like that myself last year. See, my problem has always been that I didn’t plan enough, and I’d get halfway through my draft and have no idea where I was going. So I started planning, and I kept planning, and planning, terrified that if I didn’t have a solid plan before I started writing, I would wind up in the same boat I was before. But it was getting more difficult to visualize the complete story with nothing but detailed scene notes and fantasies of what crucial plot points would look like. I was lamenting my frustrations to a writing friend one day, and she offered me a wise suggestion. Why don’t you just start writing it anyway?
This can be overwhelming advice. Especially when we writers have a penchant for ignoring one of the most crucial parts of the outline - the beginning. Where does the story start? What is my character doing? Is the villain already after her, and if so, how do I show that? How much do I explain? How can I “start writing,” if I don’t even know how or where to start?
Not to mention, that first scene in some ways is supporting the entire story. Because without a good first scene, the rest doesn’t really matter. That first scene leaves an impression, and it’s often the reason some readers stop or continue a book.
I don’t say all this to put extra pressure on anyone. I’m just saying that we’ve all been there with that first scene, and it can often stop us from ever moving forward.
So when she told me I should just start writing anyway, I looked at my outline. And yes, it had holes, and yes the climax was kind of fuzzy, and hell yes the backstory wasn’t completely clear. But when I read through what I had, I realized I actually did have several consecutive scenes that made up a fairly big chunk of the novel. I may not have known exactly what led to this chunk of scenes, or even what came after, but I estimated that I probably had a month’s worth of writing material to keep me occupied.
I picked a scene in the middle of my outline, and I wrote it. When that scene was finished, I continued to the next scene, and so on. If I had no idea what the next scene would be, or if I was simply frustrated with it, I’d consult my outline, find a new scene, and jump to it.
That’s the beauty of having any kind of outline - you no longer have to write in order. The outline helps your brain understand approximately where these scenes will go in the finished product, and, when applicable, what scenes will come in between two scenes that you’re currently writing.
And somehow it kind of worked, which surprised me. I spent the entirety of NaNoWriMo writing random scenes from my novel, completely out of order, and those written scenes acted like magical story cement, filling in many of the cracks and holes in my plot. The backstory tightened up to accommodate plot twists I hadn’t planned until I was writing them, and as I spent more time with the characters, my excitement for the climax grew, and I felt more invested in working it out. And most importantly, that opening scene started to become clearer.
After that self indulgent speech, let me bring it all together for you. Planning is great. Planning helps our project grow and evolve. It helps us understand where it’s going and why we’re writing it. Without a good plan in place, our writing can be aimless and wandering, and the story might never reach a logical and cohesive conclusion. And yet..
Writing is also great. Writing helps our project grow and evolve. It helps us understand where it’s going and why we’re writing it. Without writing, our plan is just a plan, and it will never become a story.
If you’re concerned that you’re over planning, stop yourself. Right now. Look at what you have. Count how many detailed scenes you have figured out, and then estimate how long it might take you to write them all. A week? A month? Two months? Give yourself a deadline, and then work on writing those scenes before your deadline. I promise you, you will end up with at least one scene that wasn’t in the outline. And sometimes one scene is enough to completely change your thinking and affect the way you move forward with your planning.
And of course, once you hit that deadline, take a moment to refresh. Update your outline, tidy it up, delete scenes, add scenes, and then go from there. Hopefully the time you spent writing will leave you in a much more optimistic place than you are right now.
Good luck!
-Rebekah
For some more insight, I highly recommend @theticklishpear‘s post on World-Builder’s Syndrome….and really any other post you find in their series archive.
It occurs to me that as much as “humans are the scary ones” fits sometimes, if you look at it another way, humans might seem like the absurdly friendly or curious ones.
I mean, who looked at an elephant, gigantic creature thoroughly capable of killing someone if it has to, and thought “I’m gonna ride on that thing!”?
And put a human near any canine predator and there’s a strong chance of said human yelling “PUPPY!” and initiating playful interaction with it.
And what about the people who look at whales, bigger than basically everything else, and decide “I’m gonna swim with our splashy danger friends!”
Heck, for all we know, humans might run into the scariest, toughest aliens out there and say “Heck with it. I’m gonna hug ‘em.”
“Why?!”
“I dunno. I gotta hug ‘em.”
And it’s like the first friendly interaction the species has had in forever so suddenly humanity has a bunch of big scary friends.
“Commander, we must update the code of conduct to include the humans.”
“Why? Are they more aggressive than we anticipated?”
“It seems to be the opposite Commander. Just this morning a crewman nearly lost their hand when attempting to stroke an unidentified feline on an unknown world. Their reaction to the attack was to call the creature a “mean kitty” and vow to win it over. Upon inquiry it seems they bond so readily with creatures outside their species that they have the capacity to feel sympathy for an alien creature they have never seen before simply because it appears distressed. I hate to say this commander but we must install a rule to prevent them from endangering their own lives when interacting with the galaxy’s fauna.”
“I see what you mean. So be it, from now on no crewman is allowed to touch unknown animals without permission from a superior officer. And send a message to supplies about acquiring one of these “puppies” so that their desire to touch furred predators can be safely sated.Ehehehe I love this! Every time someone adds a short story to my post it gets like 90% cuter and more epic
Lets be honest, the humans would ignore the hell outta that rule whenever alone.
“So I hear that you’ve just recruited a human for your ship.”
“Yes, it’s the first time that I’ve worked with these species, but they come highly recommended. Say, you’ve worked with a few, what tips can you give me? I’d hate to have some kind of cultural misunderstanding if it’s avoidable.”
“The first rule of working with humans is never leave them unsupervised.”
“Wait, what?”
“I’m serious. Don’t do it. Things. Happen.”
“But wait, I thought that I heard you highly recommended that every crew should have at least one on board?”
“Absolutely, and I stand by that. Humans are excellent innovators, and are psychologically very resilient. If you have a crisis, then a human that has bonded wth your crew properly can be invaluable. Treat your human well and you should get the best out of them as a crew member. Their ability to get on with almost any species is legendary.”
“But Toks, didn’t you just say…”
“The trouble is that they will potentially try to bond with anything. If you leave them unsupervised, you have no idea what kind of trouble they can get themselves into. It was sheer luck that the Fanzorians thought that it was funny that the human picked up the Crown Prince to coo at him.”
“Crown Prince Horram, Scourge of Pixia?”
“The very same. Surprisingly good sense of humour. But don’t even get me started on that one time with the Dunlip. Al-Human wanted to know if they could keep it. As a pet.”
“A Dunlip? You mean the 3 metre tall apex predators from Jowun?”
“Yup. Don’t leave your humans unsupervised.”
“I’ll uh, take that under advisement.”
“Seriously. Get a supply of safe animals for the humans to bond with or they will make their own. I mean, they will try to befriend anything they come across anyway, but without any permanent pets they can get… creative. Don’t even get me started on the time one of them taped a knife to one of our auto-cleaners and named it Stabby.
Three weeks in and when we finally caught the wretched thing, half the humans on crew tried to revolt about us “killing” Stabby by removing the knife.
“How… how did you resolve that sir?”
“Glaxcol made a toy knife out of insulation rubber and strapped that on instead. Quite a creative solution, I suppose.”
“And that sated the humans?
“Worse.”
“Worse?”
“They thought it was so funny they made a second one, strapped false eyes on springs to both and held mock battles. Then decided Stabby and Knifey were in love and now none of them will allow the others to stage fights between them any more.”